LA Contemporary Dance Company (“Dancing in Snow”):

“POETIC… ENGAGING AND INTRIGUING… I was instantly drawn in… The commitment from the Odyssey to this summer dance festival is extraordinary.” — Tam Warner, LA Dance Chronicle

 

Primera Generación Dance Collective (“Nepantla”):

“PERFORMANCE-AWARE HONESTY… movement, games, personal stories, current events, songs, video… [a] party at the Dance at the Odyssey Festival.” — Benn Widdey, Culture Spot LA

“ANOTHER REMARKABLE NIGHT FOR DANCE AT THE ODYSSEY… While [Primera Generación Dance Collective] addresses heavy issues of politics, discrimination, identity and stereotypes of the Latinidad experience in the U.S., manages to infuse the stage with lightness, satire and laugh out loud humor along the way… For the betterment of the dance community and the delight of the audience producer/curator Barbara Mueller-Wittmann and associate artistic director Beth Hogan of “Dance at the Odyssey” have delivered yet another noteworthy company to their stage.  Thank you.”— Tam Warner, LA Dance Chronicle

 

Teresa Toogie Barcelo (“Metanoia”):

“OTHERWORLDLY… [Barcelo] and her perfect band of misfits urge the deepest feelings out of this sublime atmosphere of the strange, and now all I want to do is dive deeper into it.” — Celine Kiner, LA Dance Chronicle

 

Galiana&Nikolchev’s The Useless Room (“Ínsula”)
“SUPERB… brilliantly performed by Gabriel Eduardo Jimenez Montes [whose] physicality and focus on detail made ÍNSULA a success.” — Jeff Slayton, LA Dance Chronicle

 

Hannah Millar’s Imprints (“Let Us Bleed, Then Heal”)
“REFRESHING AND UNIQUE… A STUNNING WORK… not one movement or action that feels unnecessary or unimportant… beautifully performed.” — Jeff Slayton, LA Dance Chronicle

“I would also like to thank The Odyssey Theatre Ensemble and Producer and Curator Barbara Mueller-Wittmann for a very successful 2022 Dance at the Odyssey series.” — Jeff Slayton, LA Dance Chronicle