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Fountain Theatre presents West Coast premiere
of ‘Baby Doll’ by Tennessee Williams
‘New’ play is first adaptation of controversial
screenplay approved by Williams Estate
LOS ANGELES (REVISED July 5, 2016) — This summer, L.A. audiences get to see a brand new play by Tennessee Williams. Simon Levy directs the West Coast premiere of Baby Doll, adapted by Pierre Laville and Emily Mann from the 1956 Academy Award-nominated film of the same name – the first-ever Williams Estate-approved adaptation of this Williams screenplay. Baby Doll opens at the Fountain Theatre on July 29, starring Daniel Bess, Karen Kondazian, Lindsay LaVanchy, John Prosky and George Roland.
Darkly comic and crackling with sexual tension, Baby Doll is the story of 19-year-old married virgin “Baby Doll” Meighan (LaVanchy), who must consummate her marriage in two days, on her 20th birthday — as long as her middle-aged husband, Archie Lee (Prosky), upholds his end of the bargain to provide her with a comfortable life. When Archie Lee burns down his neighbor’s cotton gin to save his failing business, his rival, Sicilian immigrant Silva Vacarro (Bess), arrives to seek revenge. What ensues is a complex mix of desire and desperation, with Baby Doll as both player and pawn.
“The miracle of Tennessee Williams is that he can write these wonderful, wacky, wildly rich and complex characters and situations, yet underneath it all are timeless social and political themes,” says Levy. “It’s almost as if this play is a look at today’s America. It’s astonishing.”
The Fountain Theatre, Levy and Kondazian, who plays the role of dotty Aunt Rose Comfort, have a long combined history with Williams. Levy has previously directed five of his plays for the Fountain, including Orpheus Descending (1996); Summer and Smoke (1999); The Night of the Iguana (2001); The Milk Train Doesn’t Stop Here Any More (2007); and A House Not Meant to Stand (2011), and the Fountain additionally produced Four X Tenn in 1996. By the time she appeared in Orpheus, Iguana and Milk Train for the Fountain, Kondazian had already starred in numerous Williams productions, including a 1979 production of The Rose Tattoo for which she received the Los Angeles Drama Critics Circle Award – and which led to a steadfast friendship with Williams until his death in 1983. (Scroll down to view photos.)
Adapted for the screen by Williams from his one-act play 27 Wagons Full of Cotton, Baby Doll was directed by Elia Kazan and starred Karl Malden, Carroll Baker and newcomer Eli Wallach. It immediately caused a sensation, due in large part to the poster image depicting Baker in a crib sucking her thumb. It was labeled variously “notorious,” “salacious,” “revolting,” “steamy,” “lewd,” “suggestive,” “provocative” and “morally repellent,” and Cardinal Francis Spellman, the Archbishop of New York, personally denounced the film before it was even released, declaring that Catholics would be committing a sin if they saw it. Baby Doll premiered as a stage play at the McCarter Theatre in Princeton, NJ in 2015; the Fountain production is only its second.
“Adapting the screenplay of Baby Doll to the stage has been an exciting process,” Mann said. “Every word is Tennessee’s; my co-adaptor, Pierre Laville, and I simply freed the play within the screenplay to allow the four main characters to live on stage.”
Set design for Baby Doll is by Jeffrey McLaughlin; lighting design is by Ken Booth; sound design is by Peter Bayne; costume design is by Terri A. Lewis; props and set dressing are by Terri Roberts; fight director is Mike Mahaffey; dialect coach is Tyler Seiple; production stage manager is Emily Lehrer; assistant stage manager is Miranda Stewart; associate producer is James Bennett; and Stephen Sachs and Deborah Lawlor produce for the Fountain Theatre.
Tennessee Williams (1911-1983), born Thomas Lanier Williams III, explored passion with daring honesty and forged a poetic theater of raw psychological insight that shattered conventional proprieties and transformed the American stage. The autobiographical The Glass Menagerie (1945) brought what Mr. Williams called “the catastrophe of success.” He went on to win two Pulitzer Prizes, for A Streetcar Named Desire in 1948 and Cat on a Hot Tin Roof in 1955. Among his many other masterpieces are Vieux Carre, Sweet Bird of Youth, The Rose Tattoo, Orpheus Descending, The Night of the Iguana and Camino Real.
The Fountain Theatre is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 225 awards, and Fountain projects have been seen across the U.S. and internationally. Recent highlights include being honored for its acclaimed 25th Anniversary Season in 2015 by Mayor Eric Garcetti and the Los Angeles City Council; the 2014 Ovation Award for Best Season and the 2014 BEST Award for overall excellence from the Biller Foundation; the recent production of the Fountain’s Citizen: An American Lyric in Charleston, S.C. to commemorate the tragic shooting at Mother Emanuel Church; and the naming of seven Fountain productions in a row as “Critic’s Choice” in the Los Angeles Times.
Baby Doll opens on Friday, July 29 with subsequent performances on Fridays and Saturdays at 8 p.m.; Sundays at 2 p.m.; and Mondays at 8 p.m. through Sept. 25 (dark Aug. 5, Aug. 6 and Aug. 7). Four preview performances take place on Sunday, July 24 at 5 p.m.; Monday, July 25 at 8 p.m.; Wednesday, July 27 at 8 p.m.; and Thursday, July 28 at 8 p.m. Tickets range from $15–$35; every Monday is Pay-What-You-Can. The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. Secure, on-site parking is available for $5. The Fountain Theatre is air-conditioned and wheelchair accessible. For reservations and information, call (323) 663-1525 or go to www.FountainTheatre.com. Like us on Facebook: www.facebook.com/TheFountainTheatre. Follow us on Twitter: @fountaintheatre.
Details for Calendar Listings
West Coast premiere of Baby Doll — Darkly comic and crackling with sexual tension, this enthralling tale of prejudice, sexual politics and passion is the first-ever Williams Estate-approved stage adaptation of the Tennessee Williams screenplay. Nineteen-year-old married virgin “Baby Doll” Meighan must consummate her marriage in two days, on her 20th birthday — as long as her middle-aged husband, Archie Lee, upholds his end of the bargain to provide her with a comfortable life. When Archie Lee burns down his neighbor’s cotton gin to save his failing business, his rival, Sicilian immigrant Silva Vacarro, arrives to seek revenge. What ensues is a complex mix of desire and desperation, with Baby Doll as both player and pawn.
• Adapted by by Pierre Laville and Emily Mann from the screenplay by Tennessee Williams
• Directed by Simon Levy
• Starring Daniel Bess, Karen Kondazian, Lindsay LaVanchy, John Prosky, George Roland
• Produced by Stephen Sachs and Deborah Lawlor
• Associate producer James Bennett
• Presented by The Fountain Theatre
Previews: July 24 – July 27
Performances: July 28 – Sept. 25
• Wednesday at 8 p.m.: July 27 (preview) ONLY
• Thursday at 8 p.m.: July 28 (preview) ONLY
• Friday at 8 p.m.: July 29 (opening); Aug. 12, 19, 26; Sept. 2, 9, 16, 23 (dark Aug. 5)
• Saturdays at 8 p.m.: July 30; Aug. 13, 20. 27; Sept. 3, 10, 17, 24 (dark Aug. 6)
• Sundays at 2 p.m.: July 31; Aug. 14, 21, 28; Sept. 4, 11, 18, 25 (dark Aug. 7)
• Sunday at 5 p.m.: July 24 (preview) ONLY
• Mondays at 8 p.m.: July 25 (preview); Aug. 1, 8, 15, 22, 29; Sept. 5, 12, 19
The Fountain Theatre
5060 Fountain Ave.
Los Angeles CA 90029
(Fountain at Normandie)
• Premium Seats: $35 (VIP center section, includes 1 free beverage)
• Regular Seating: $30 (side sections)
• Seniors 65 or older: $25 (side sections)
• Students: $20 (valid ID required)
• RUSH: $15 (at the door, 15 mins prior to curtain, subject to availability)
• Pay-What-You-Can every Monday night
Secure, on-site parking: $5