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Kim Rubinstein to direct 1958 taboo-breaking
‘A Taste of Honey’ at Odyssey Theatre
 

LOS ANGELES (Aug, 23, 2016) — Kim Rubinstein, director of last season’s award-winning revival of Anna Christie, returns to the Odyssey Theatre Ensemble at the helm of one of the great defining and taboo-breaking plays of the 1950s. A Taste of Honey is set to open on Sept. 24 starring Eric Hunicutt, Gerard Joseph, Kestrel Leah, Leland Montgomery and Sarah Underwood Saviano.

Playwright Shelagh Delaney was just 18 years old when this controversial play rocked the British theater community in May, 1958 with its exhilarating and honest depiction of harsh, working-class life in post-war England. The story of Jo (Leah), a working-class adolescent girl, and her relationships with Helen, her saloon-frequenting mother (Saviano); Peter, her mother’s newly acquired husband (Hunicutt); Jimmie, the black sailor who makes Jo pregnant (Joseph); and Geoff, the homosexual art student who moves into her apartment to help her through her pregnancy (Montgomery), A Taste of Honey bursts with energy and daring, an explosive celebration of the vulnerabilities and strengths of the female spirit in a deprived and restless world.

“What I really love about the play is its exuberance, its vitality,” says Rubinstein. “It’s highly theatrical at the same that it’s realistic. It was one of the first plays to be called a ‘kitchen sink drama,’ yet the characters break the fourth wall to speak to the audience. In the original, there was a live jazz trio. We’ll have a bass player, and Sarah Saviano, our Helen, is a highly accomplished sax player. Gerard Joseph, who plays Jimmie, will be on drums.”

Rubinstein first came across the play as a pre-teen, when her mother took her to see the movie. “I was mesmerized by the working class world of Manchester and the complex truth of the relationships between the characters,” she says. “The idea that nothing is permanent. Everything keeps changing, everything is always shifting. How does one deal with that?  How do you learn to not cling to things you might have to give up? That’s still our biggest challenge in today’s world, which sometimes seems to be dissolving into chaos.”

Delaney said she wrote A Taste of Honey in just two weeks, after seeing Terence Rattigan’s play, Variations on a Theme, which she felt was too discreet in its depiction of homosexuality. At the time, homosexuality was against the law in England, interracial relationships were taboo and single motherhood was stigmatized. Her play was first produced by Joan Littlewood’s Theatre Workshop at the Theatre Royal Stratford East, a small fringe theater in London, then transferred to the larger Wyndham’s Theatre in the West End. Delaney received the New York Drama Critics’ Circle Award for the play’s Broadway production, which starred Angela Lansbury, Joan Plowright and Billy Dee Williams, and Plowright earned a Tony for Best Actress. In 1960, Ken Russell made a BBC television documentary about Salford, the working class city near Manchester where Delaney grew up and where the play is set, and in 1961, the play was adapted into an award-winning film directed by Tony Richardson. Morrissey, lead singer of the Manchester-based band The Smiths, used Delaney’s photo on the cover artwork for the album “Louder Than Bombs,” and her photograph appears on the cover for The Smiths’ single “Girlfriend in a Coma.” An earlier Smiths song, “This Night Has Opened My Eyes,” is based on the play, while quotations and near-quotations from lines in the play appear in several other songs by The Smiths and Morrisey.

In 1961, Delaney wrote a second play, The Lion in Love, which was received less favorably, and in 1963 she produced a volume of short stories, “Sweetly Sings the Donkey.” After that, she focused on writing screenplays, winning wide praise for Charlie Bubbles (1968) and Dance with a Stranger (1985), the latter a docudrama about murderer Ruth Ellis. Delaney’s third play, The House That Jack Built (1977), was first produced as a television series. In 1992 she wrote the screenplay for the made-for-television movie The Railway Station Man. She later wrote the radio plays Tell Me a Film (2003) and Country Life (2004). She died in 2011 from heart failure and breast cancer.

Kim Rubinstein returns to the Odyssey where she directed last season’s Anna Christie starring Zoe Perry (Los Angeles Drama Critic’s Circle Awards for Direction and Lead Performance, as well as the LADCC’s McCulloh Award for Revival, plus Stage Raw awards for Revival Production of the Year and Leading Female Performance). She was Long Wharf Theatre’s associate artistic director where she directed Guys and Dolls, A Midsummer Night’s Dream, Private Lives, Santaland Diaries and The Cocktail Hour. She currently teaches acting and directing at UCSD in San Diego. Recent directing credits include Venus in Fur at San Diego Rep (co-directed with Sam Woodhouse); Savannah Disputation and The American Plan for The Old Globe; Balm in Gilead, Three Sisters, HotL Baltimore, 1001 and Sexual Selection: Shakespeare and Darwin Ponder Love for UCSD at La Jolla Playhouse; The Intelligent Design of Jenny Chow for Portland Center Stage and San Jose Repertory Theatre; and Much Ado About Nothing and Romeo and Juliet for Shakespeare Santa Cruz. Kim was the associate director of the national tour of Angels in America. Ms. Rubinstein is a recipient of the TCG/NEA Directing Fellowship and was nominated for the Alan Schneider Directing Award. 

The Odyssey Theatre Ensemble was founded in 1969 when Ron Sossi decided to demonstrate that experiment-oriented theater could have populist appeal and be fiscally solvent while maintaining the highest artistic standards. Wildly successful and innovative productions such as The Serpent and Brecht’s The Threepenny Opera immediately gained the Odyssey its reputation for producing dangerous, magical and experimental work. Now celebrating its 47th season, OTE continues to explore, produce and present works on the forefront of contemporary theater art in its three-theater complex in West Los Angeles.

Set design for A Taste of Honey is by Nephelie Andonyadis; lighting design is by Katelan Braymer; music and sound design is by Sarah Underwood Saviano with co-designer Carlos Torres; costume design is by Denise Blasor; and props are by Marie-Claire Erdynast. The assistant directors are Rosie Byrne and Tracey Silver; stage manager is Eden Mullins; and Beth Hogan produces for Odyssey Theatre Ensemble. Bass players Mark Gutierrez and Armando Wood alternate performances.

Performances of A Taste of Honey take place on Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m., Sept, 24 through Nov. 27. Additional weeknight performances are scheduled on Wednesdays at 8 p.m. on Oct. 19 and Nov. 9; and on Thursdays at 8 p.m. on Oct. 13, Oct. 27 and Nov. 3. Tickets are $34 on Saturdays and Sundays; $30 on Fridays; and $25 on Wednesdays and Thursdays, with discounted tickets available for students and members of SAG/AFTRA/AEA. There will be three “Tix for $10” performances on Friday, Sept. 30; Wednesday, Oct.19; and Thursday, Nov. 3. Post-performance discussions are scheduled on Thursday, Oct. 13 and Friday, Oct. 28. The third Friday of every month is wine night at the Odyssey: enjoy complimentary wine and snacks and mingle with the cast after the show.

The Odyssey Theatre is located at 2055 S. Sepulveda Blvd., West Los Angeles, 90025. For reservations and information, call (310) 477-2055 or go to OdysseyTheatre.com.

 

Details for Calendar Listings
‘A Taste of Honey’

WHAT:
A Taste of Honey — Kim Rubinstein (the Odyssey’s award-winning production of Anna Christie) directs one of the great defining and taboo-breaking plays of the 1950s, the story of Jo, a working-class, adolescent girl and her relationships with her saloon-frequenting mother; her mother’s newly acquired husband, the black sailor who makes Jo pregnant, and the homosexual art student who moves into her apartment to help her through her pregnancy. Shot through with love and humor, bursting with energy and daring, this exhilarating and honest depiction of harsh, working-class life in post-war England offers an explosive celebration of the vulnerabilities and strengths of the female spirit in a deprived and restless world. Playwright Shelagh Delaney was just 18 years old in May 1958, when this controversial play rocked the British theater community, with its interracial romance and frank discussion of sexual matters.

WHO:
• Written by Shelagh Delaney
• Directed by Kim Rubinstein
• Starring Eric Hunicutt, Gerard Joseph, Kestrel Leah, Leland Montgomery, Sarah Underwood Saviano
• Produced by Beth Hogan
• Presented by Odyssey Theatre Ensemble, Ron Sossi, artistic director

WHEN:
Sept. 24 – Nov. 27:
• Wednesdays at 8 p.m.: Oct. 19 and Nov. 9 ONLY
• Thursdays at 8 p.m.: Oct. 13*, Oct. 27 and Nov. 3 ONLY
• Fridays at 8 p.m.: Sept 30; Oct 7, 14, 21**, 28*; Nov 4, 11, 18**, 25
• Saturdays at 8 p.m.: Sept 24 (opening night); Oct 1, 8, 15, 22, 29; Nov 5, 12, 19, 26
• Sundays at 2 p.m.: Oct 2, 9, 16, 23, 30; Nov 6, 13, 20, 27 (No 2 p.m. matinee on Sept 25)
• Sunday at 5 p.m.: Sept 25 ONLY
* Post-show discussion with the cast scheduled
**The third Friday of every month is wine night at the Odyssey: enjoy complimentary wine and snacks and mingle with the cast after the show.

WHERE:
Odyssey Theatre
2055 S. Sepulveda Blvd.
Los Angeles CA 90025

HOW:
• (310) 477-2055 ext. 2 or www.OdysseyTheatre.com
• Visit us on Facebook: www.facebook.com/OdysseyTheatre
• Follow us on Twitter: @OdysseyTheatre_

TICKET PRICES:
• $25–$34 (reserved seating)
• Discounted tickets available for students and members of Equity/Sag for select performances
• Three “Tix for $10”: Fri., Sept. 30; Wed., Oct.19; and Thurs., Nov. 3

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