Los Angeles Times
“A STRONG CAST, LAVISH DESIGN AND SOPHISTICATED STAGING…  it totally sticks the landing. Try not to cry,” — Margaret Gray, Los Angeles Times

Theatre Notes
“SEARING, EMOTIONAL, AFFECTING…STERLING… delivered by a cast at the top of their craft.” — Paul Myrvold, Theatre Notes

Broadway World
“HIGH INTENSITY… [an] unflinching look at realistic, flawed relationships under the most atypical circumstances… well-acted, technically polished.” — Gil Kaan, Broadway World

Gia On The Move
“RECOMMENDED… The cast is uniformly excellent… authenticity.” — Guy Picot, Gia On The Move

Ticket Holders LA
“ABSORBING, BEAUTIFULLY CONSTRUCTED… this complex and riveting play is an exciting introduction to a vital new playwriting voice and the performances here are all golden.” — Travis Holder, Ticket Holders LA

Showmag
“MESMERIZING” — Leigh Kennicott, Showmag

LA Splash
“INTENSE, RIVETING, THROUGH-PROVOKING and ultimately satisfying… eminently entertaining.” – Elaine Mura, LA Splash

Larchmont Buzz
“CLASSIC ANTAEUS GETS ORIGINAL… a compelling story is supported with a knockout set, inspired sound and lighting, and strong direction.” — Laura Foti Cohen, Larchmont Buzz

Colorado Boulevard
“CHILLING… flexes serious performance muscle… beautifully designed… capture[s] the real fire of love — both long-term and fleeting” — Melanie Hooks, Colorado Boulevard

The Hollywood Times
:A MODERN TRAGEDY OF SHAKESPEAREAN PROPORTIONS… bolstered by nuanced performances by the entire cast…. a storyline that needs to be heard today in America.” — John Lavitt, The Hollywood Times

On Stage and Screen
“FASCINATING… The cast is strong… the design elements are lovely” — Erin Conley, On Stage and Screen

Hollywood Revealed
“STUNNING… a glorious evening of explored emotions, not to be missed or ignored.” — Dale Reynolds. Hollywood Revealed