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Open Fist presents beautiful, moving, funny
‘Under Milk Wood’ by Dylan Thomas
LOS ANGELES (June 26, 2018) — Intensely beautiful, poignant and sublimely funny. Open Fist Theatre Company presents a revival of Under Milk Wood, the linguistic tour-de-force by the great Welsh poet Dylan Thomas. Ben Martin directs for a July 27 opening at Atwater Village Theatre.
Reflecting the milieu in which Dylan Thomas grew up, Under Milk Wood recounts the dreams, gossip and waking hours of the sleepy, Welsh seaside town of Llareggub — a name that seems innocent enough until you read it backwards. A slice of life set over a period of 24 hours one spring day, Milk Wood exposes the secret thoughts and reveries of over 50 residents in the salty fishing town. Unforgettable characters such as Jack Black, the sexually repressed cobbler; Mr. Pugh, who constantly dreams of murdering his wife; sweet Polly Garter, loved by many men, but still pining for long-dead Little Willy Wee; Mr. Waldo, who has impregnated virtually every woman in the countryside; twice widowed Mrs. Ogmore-Pritchard, who dreams of assigning cleaning tasks to her two dead husbands; and town bigamist Dai Bread populate this odd place, and their affectionate charm and humor still captivate and entertain 65 years after it was written. The poetry wafts and enters through one’s heart rather than one’s head.
Under Milk Wood, originally written for a BBC radio broadcast, was famously described by the author as “a play for voices.” When Thomas read it for its first public performance in Cambridge, Massachusetts, in 1953, it was still unfinished. Published posthumously in 1954, it became his most famous piece.
“Our production draws inspiration from the celebrated ‘Living Theater,’ explains Martin. “We’re adding elements of music hall and British pantomime to bring Dylan Thomas’s rollicking, bawdy, life-affirming masterpiece to life.”
According to Open Fist artistic director Martha Demson, “Under Milk Wood oozes a troubled yet exuberant lust for life and love, much like Dylan Thomas himself. In these angry days, full of vitriol and scorn for those who are different, it seems a welcome antidote to celebrate and embrace the flaws and weaknesses that come with being human, and all through Thomas’ extraordinary language.”
The large Open Fist ensemble features Richard Abraham, Dillon Aurelio-Perata, Bryan Bertone, Christopher Cedeño, Stephanie Crothers, Cat Davis, Bruce A. Dickinson, Claire Fazzolari, Katherine Griffith, Jennifer Kenyon, Carol Kline, Tim Labor, Gina Manziello, Paul Myrvold, Neil Asa Oktay, Michael Philbrick, Katie May Porter, Kenia Romero and Jade Santana.
The creative team includes music director and sound designer Tim Labor, lighting designer Ellen Monocroussos, costume designer Carol Brolaski Kline and graphic designer Liam Carl. Jennifer Palumbo is the production stage manager. The associate producers are Beth Robbins and Amanda Weier, and Martha Demson produces for Open Fist Theatre Company.
One of the best-known British poets of the mid-20th century, Dylan Thomas is remembered for his highly original, obscure poems, his amusing prose tales and his turbulent, well-publicized personal life. Widely known for his powerful poetry readings over BBC radio, he became a popular, if not controversial, figure. Born in Swansea, Wales, in 1914, Thomas moved to London after grammar school. In 1934, his first book of poetry, “Eighteen Poems,” was published. At this early age, he revealed unusual power in the use of poetic diction and imagery; the volume won him immediate critical acclaim. Thematically, these poems and virtually all that followed seem obscure because they contain elements of surrealism and personal fantasy. But the freshness and vitality of Thomas’ language draw the reader into the poems and reveal the universality of the experiences with which they are concerned. His reading tours in the United States, which did much to popularize poetry readings, are famous and notorious, for Thomas was the archetypal Romantic poet of the popular American imagination: he was flamboyantly theatrical, a heavy drinker, engaged in roaring disputes in public, and read his work aloud with tremendous depth of feeling. He became a legendary figure, both for his work and the boisterousness of his life. Tragically, he died from alcoholism at the age of 39 after a particularly long drinking bout in New York City in 1953.
Open Fist Theatre Company is a collective, self-producing artistic enterprise with all facets of its operation run by its artist members. The company’s name combines the notion that an open spirit, embracing all people and all ideas, is essential, with the idea that determination, signified by a fist, is necessary if the theater is to remain a vital voice for social change and awareness.
Under Milk Wood runs July 27 through Aug. 25 with performances on Fridays and Saturdays at 8 p.m. and Sundays at 7 p.m. Preview performances take place July 20 through July 22 on the same schedule, with an additional preview on Thursday, July 26 at 8 p.m. Tickets are $20 for all performances, except previews which are Pay-What-You-Want.
Atwater Village Theatre is located at 3269 Casitas Ave in Los Angeles, CA 90039. On-site parking is free. For reservations and information, call (323) 882-6912 or go to www.openfist.org.
Details for Calendar Listings
‘Under Milk Wood’
Under Milk Wood — Intensely beautiful, poignant and sublimely funny, this “play for voices” by the great Welsh poet Dylan Thomas recounts the dreams, gossip and waking hours of the sleepy, Welsh seaside town of Llareggub — a name that seems innocent enough until you read it backwards. Unforgettable characters such as Captain Cat, Myfanwy Price, the Reverend Ely Jenkins, Organ Morgan, Polly Garter and Dai Bread populate this odd place, and their affectionate charm and humor still captivate and entertain 65 years after it was written.
• Written Dylan Thomas
• Directed by Ben Martin
• The Ensemble: Richard Abraham, Dillon Aurelio-Perata, Bryan Bertone, Christopher Cedeño, Stephanie Crothers, Cat Davis, Bruce A. Dickinson, Claire Fazzolari, Katherine Griffith, Jennifer Kenyon, Carol Kline, Tim Labor, Gina Manziello, Paul Myrvold, Neil Asa Oktay, Michael Philbrick, Katie May Porter, Kenia Romero and Jade Santana.
• Presented by Open Fist Theatre Company, Martha Demson, artistic director
Previews: July 20 – July 26
Performances: July 27 – Aug. 25
• Thursdays at 8 p.m.: July 26 ONLY (preview)
• Fridays at 8 p.m.: July 20 (preview), July 27 (opening), Aug. 3, Aug. 10, Aug. 17, Aug. 24
• Saturdays at 8 p.m.: July 21 (preview), July 28, Aug. 4, Aug. 11, Aug. 18, Aug. 25
• Sundays at 7 p.m.: July 22 (preview), July 29. Aug. 5, Aug. 12, Aug. 19
Atwater Village Theatre
3269 Casitas Ave
Los Angeles, CA 90039
(FREE parking in the Atwater Xing lot one block south of the theater)
(323) 882-6912 or www.openfist.org
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• General Admission: $20
• Previews: Pay-What-You-Want